March 2, 2014
Over two years ago, before The Only Ones came out, I did a countdown of 99 things (books, movies, art, places, etc.) that inspired it. It was a fun way to revisit some stuff I was actively thinking about when I wrote the book, as well as some stuff I didn’t realize influenced me until I had some time to reflect.
Well, it’s 99 days until The Riverman hits shelves and I figured, why not do it all again? So, without further ado, here is my list of #99inspirations that I’ll be counting down daily on Twitter. This doesn’t represent all of my favorite things (sorry, no bright copper kettles and warm woolen mittens here), though it does include some stuff that I truly love. And hopefully it sparks some conversation about the stuff you love and the stuff that leaks into your creations.
- 99: Some Things Last a Long Time by Daniel Johnston
- 98: Adam based on the Adam Walsh story
- 97: Bridge to Terabithia by Katherine Paterson
- 96: Eraserhead directed by David Lynch
- 95: Fayetteville, New York
- 94: Myst by Cyan
- 93: The Bird Artist by Howard Norman
- 92: Orange Crush by REM
- 91: The Pillowman by Martin McDonagh
- 90: The Scroobius Pip by Edward Lear (completed by Ogden Nash)
- 89: Heavenly Creatures directed by Peter Jackson
- 88: Kid Icarus by Nintendo
- 87: Luka by Suzanne Vega
- 86: 13 Reasons Why by Jay Asher
- 85: Yuma, Arizona
- 84: Ranger Rick magazine
- 83: Christmas at Ground Zero by Weird Al Yankovic
- 82: Beverly Cleary
- 81: Breaking Away directed by Peter Yates
- 80: Misguided Angel by Cowboy Junkies
- 79: Oh, the Thinks You Can Think by Dr. Seuss
- 78: Nøkken
- 77: Balance directed by Christoph and Wolfgang Lauenstein
- 76: The Shankill Butchers performed by Sarah Jarosz (covering The Decemberists)
- 75: The Lovely Bones by Alice Sebold
- 74: Old Forge, New York
- 73: River’s Edge directed by Tim Hunter
- 72: I’m Your Man by Leonard Cohen
- 71: Northern Lights by Philip Pullman
- 70: The McMartin trial
- 69: Charon
- 68: Castlevania by Konami
- 67: Iron Maiden
- 66: Captain Hook
- 65: River Man by Nick Drake
- 64: Requiem directed by Hans-Christian Schmid
- 63: Stargirl by Jerry Spinelli
- 62: Mischief Night
- 61: My Drug Buddy by the Lemonheads
- 60: Halloween directed by John Carpenter
- 59: Dark Castle by Silicon Beach Software
- 58: Friendly’s
- 57: The Far Side by Gary Larsen
- 56: Riverman by Errol Le Cain
- 55: Midnight’s Children by Salman Rushdie
- 54: Tour of Duty
- 53: I’ll Be You by The Replacements
- 52: The Burnet Park Zoo
- 51: The Blue Lagoon directed by Randal Kleiser
- 50: A Wrinkle in Time by Madeleine L’Engle
- 49: I Can’t Make You Love Me performed by Bon Iver (covering Bonnie Raitt)
- 48: Capturing the Friedmans directed by Andrew Jarecki
- 47: Coraline by Neil Gaiman
- 46: Metroid by Nintendo
- 45: Lamborghinis!
- 44: Anything, Anything by Dramarama
- 43: Cropsey directed by Barbara Brancaccio and Joshua Zeman
- 42: A Monster Calls by Patrick Ness (from an original idea by Siobhan Dowd)
- 41: Salt potatoes
- 40: Zip City by The Drive-By Truckers
- 39: SimCity by Will Wright
- 38: The Independence River
- 37: The Abyss directed by James Cameron
- 36: Charlie and the Great Glass Elevator by Roald Dahl
- 35: Lake-effect snow
- 34: Jaguar by Mogwai
- 33: A Nightmare on Elm Street directed by Wes Craven
- 32: The Wonderful Wizard of Oz by L. Frank Baum
- 31: Pitfall! by Activision
- 30: In Your Room by The Bangles
- 29: The Berlin Wall
- 28: Jacob’s Ladder directed by Adrian Lyne
- 27: Kilgore Trout
- 26: Panasonic RQ2102
- 25: Dispatches by Michael Herr
- 24: Barnaby, Hardly Working by Yo La Tengo
- 23: These movies
- 22: Visit Scotland’s email newsletter
- 21: The Red Notebook by Paul Auster
- 20: So Long, Lonesome by Explosions in the Sky
- 19: Dreamscape directed by Joseph Ruben
- 18: Final Fantasy by Hironobu Sakaguchi
- 17: When You Reach Me by Rebecca Stead
- 16: The Conversation directed by Francis Ford Coppola
- 15: Thirteen by Big Star
- 14: Shadow of a Doubt directed by Alfred Hitchcock
- 13: I Know by Fiona Apple
- 12: Mean Creek directed by Jacob Aaron Estes
- 11: Alice’s Adventures in Wonderland by Lewis Carroll
- 10: Paradise Lost directed by Joe Berlinger and Bruce Sinofsky
- 9: The Outsiders by S.E. Hinton
- 8: Stand By Me directed by Rob Reiner (adapted from Stephen King’s The Body)
- 7: The Wonder Years created by Neal Marlens and Carol Black
- 6: The Lion, the Witch and the Wardrobe by C.S. Lewis
- 5: A documentary I watched once. I forget where, or when, or what it was called, but it inspired the opening chapter.
- 4: The Legend of Zelda by Nintendo
- 3: Let the Right One In directed by Tomas Alfredson (adapted from the book by John Ajvide Lindqvist)
- 2: So Long, See You Tomorrow by William Maxwell
- 1: These People
September 11, 2011
For the last three months on Twitter I’ve been counting down to the release of The Only Ones by listing 99 novels, movies, songs, people, places and miscellany that have inspired the book. It has been a way to honor influences and start conversations, but mostly it has been a way for me to figure out where all of this came from. These aren’t necessarily my favorite works of art (some are), but they’re the ones that gave the story its shape. So, without further ado:
December 15, 2010
If you’re coming here for my top 10 movies of the year or my 50 favorite disco singles, I’m afraid I’m aiming to disappoint. Those lists are fun and everything, but I really can’t find it in myself to declare Furry Vengence the 9th finest cinematic experience of 2010, even though after doing all the calculations and checking the denominators and all that jazz, it appears to be true. Instead, I leave you with a miscellany of highlights from this “year we made contact.”
MY FAVORITE QUOTE: While sharing a cab one morning with a woman she didn’t know (you’d have to live in Hoboken, NJ to understand that’s just how things usually work out), my wife heard the quote of the year. It doesn’t really stand on its own like some Oscar Wilde quip, but there’s a certain magic to it. Looking out of the window of the cab, the woman sighed, motioned to a city worker who was emptying a trash can, and said, “That guy must have such an easy life.” Now there’s a chance that this woman had some insider information about the fellow, like she knew he’d recently hit the Powerball or scored the role of the villain in the The Dark Knight Rises or some such, but my wife didn’t catch that vibe. No, this woman had more of a “poor me, sitting in a cab, trying not to be late for a morning webinar with Tony from PR to discuss the importance of Twitter in the pet insurance industry, while this simpleton empties trash cans and whistles his day away before returning to his filthy hovel for a can of Spam and a hearty round of laughs compliments of America’s Funniest Home Videos,” sort of stink about her. Grass is always greener, indeed. I don’t know who this woman was, but my hat goes off to her and her wholly insular view of the world. My second favorite quote comes from a stranger who randomly asked me and friend the following: “Hey, you guys happen to be T-shirt enthusiasts?” Our response: “We wear T-shirts.” His follow-up: “Well, I’m a T-shirt enthusiast.” End of conversation.
THE HARSHEST CELEBRITY BRUSH-OFF: Celebrities don’t care much for me. I present, as proof, my following dust-ups with some high wattage stars. The comedian Dave Attell once blew me off when I approached him in a falafel restaurant and politely gave him unsolicited advice on how to make his TV show infinitely better. Bobcat Goldthwait, the MVP of many a Police Academy film, gave me the stink-eye when I nearly ran my shopping cart into his one snowy Christmas Eve in an empty suburban grocery store. And now, just a few days ago, I was rebuffed by a certain actor who was standing at a bar after a concert, patiently waiting for the barkeep to tender him a drink. He plays an iconic television character, so I tried to be smooth in my attempt to chat him up. “Let us get you a drink ____” I told him, using his actual first name, rather than his character’s name, which I’m sure he hears more often than not. He glanced at me and my wife, pivoted around on his heel, and walked away without saying a word. I keep his identity a secret for the purposes of guessing games and anonymity, because I assume he was just shy and it wasn’t because I reeked of, I don’t know, seaweed and cheese or anything.
THE FINEST STRETCH OF ROADKILL When traveling through New Zealand a few years back, my then-girlfriend-now-wife and I played a game of our own creation called Stoat/Possum. The country is just lousy with stoats (a relative of the weasel) and possums (not this kind, but this kind) and they make up the majority of the roadkill (aside from the hobbits). So when you’re driving along and see a lump of fur on the pavement, the fun thing to do is to yell out either “STOAT!” or “POSSUM!” in a booming Orson Welles voice. No need to keep score. It’s simply good times for the whole family. Driving to see relatives this year, I came across a fair bit of roadkill. The standard raccoons and deer, the occasional skunk or groundhog. A mattress. But on one trip, I scored an amazing quadrella. I’ll break it down for you in order of impressiveness. #1. A coyote, which isn’t all that rare. #2. A fox. That’s right, the proverbial sly fox. Sure, you don’t write home about a fox being roadkill, but then, what sicko writes home about any roadkill? Take it from me. It’s a bit rare. #3. A porcupine. Now you’re getting interested. You’re imagining what it might be like to roll into a Firestone Auto Center with a porcupine sticking out of your rear tire. This is becoming quite an impressive checklist. Add to that: #4. A bear. That’s right. A big old black bear. I don’t believe I’d ever seen a bear as roadkill before that day, and certainly not on the same stretch of road as a coyote, a fox, and a porcupine. I was lucky indeed. It was like some A.A. Milne novel had gotten way out of hand, and I was there for the glorious and gory catharsis.
THE MOST POPULAR PAGE ON MY WEBSITE: By far, it’s a little blog entry I did titled “Five Animals that are Uglier than Zac Efron.” It probably accounts for 90% of this site’s search engine traffic and I’m sure it leaves plenty of girls shaking their fists in anger. Even a few have left comments, including my favorite: “he is hotter than everyone who posted this website.” Everyone who posted this website is just me, Lauren, and I resent what you’ve said. After all, have you even seen me in a pink bunny suit? I’m not sure what Efron has done in the last year other than comb his hair a lot, but his fanbase is going strong, and according to my site stats, they’re entering things like, “animals, not zac efron,” “zac efron is pregnet” and “zac efron clever?” into Google, then stopping in here for a visit. Jeff Kay, who runs the fantastic West Virginia Surf Report linked to the Efron piece and brought in boatloads of traffic as well. In the spirit of the season, I feel I should return the favor. His site is a daily read for me, and should be for you. My favorite of his writings might not be his most celebrated, but heck, it gets me every time, and it’s about something as universal as Scandinavian healthcare. It’s an old gem titled “Sleep is Creepy.” Read it, and rest easy tonight, folks.
May 25, 2010
I’ve been poking my head around the web to see what people thought of the Lost finale. There’s a fair amount of disappointment, but just as many people who thought it was beautiful and touching. There’s also a ton of confusion, and I might as well start by stating the obvious. The island was real. They did not die during the plane crash. They all lived and died on their own timelines and reunited in the afterlife. There is no doubt about this.
I didn’t adore the finale initially, but now that I’ve let it sink in, I’m appreciating it more and more and discovering that the “answers” so many people were looking for have been there all along. They’re all tied to the afterlife concept.
The Island was the gateway to the afterlife. The afterlife needed to be protected, because it contained the dreams and desires of every man and woman. And it was too powerful for the living (and magnetic compasses) to handle. However, it was leaking from the island. Some were trying to escape from it. Some were trying to harness its magic. It healed, but also corrupted. Time travel and ghosts and monsters and miscarriages and Star Wars references and all other sorts of nonsense were born from it. Yet only in death, and only if you put the love of others before the love of yourself, were you granted entrance to it. And that’s how the show ended.
Hokey? A bit. But the theme of the show was always about being lost. And every character, from Jack and Kate to Ben and Locke to Jacob and his Mother, was lost. Physically and spiritually. The viewer was lost as well. Sifting through the mysteries and trying to find a key to solve it all. Turns out, by leaving so many mysteries unanswered, the show is providing the template for an afterlife. And now that Lost has died, the key is to piece together that afterlife in any way the viewer wishes. Why were Walt and Aaron special? Who built the statue? Who was shot in the out-riggers? You decide. It’s the only way the narrative can live on. The only way the light can be protected. The only way the blog posts and term papers and theses can keep coming.
I, for one, am grateful for that, but I won’t be writing about Lost anymore, cause I’m not sure you all care. But in order for you to care about future posts of mine, I give you the following order. Join Netflix. Watch Breaking Bad. Thank me.
May 17, 2010
The latest season of Lost premiered on February 2nd, aka Groundhog Day. It was a joke, a cheeky clue for the audience. Because they introduced a major plot device in the premiere. It’s come to be known as the “flash-sideways” narrative and it’s essentially a big “what-if.” What if the characters had a chance to do it all over again? What if the circumstances were different – no island, no smoke monster, no Geronimo Jackson spinning on the turntable? What would have happened to these poorly reared, trigger-happy pawns of science and faith? The answer seems to be that their pesky destinies would have eventually tracked them down anyway. In a week, the series will come to a close, and hopefully we’ll have a better idea about what exactly is at play. But if Lost peddles anything, it peddles ambiguity. And the faithful aren’t shy about hitting the bulletin boards to shout their opinions and theories. The internet might bust a spring or two in the hours after the finale.
I can say with a certain amount of confidence that most people will not be discussing Groundhog Day. The wink-wink-nudge-nudge premier date will be just another piece of Lost trivia, no more significant than the Hurley Bird. The date was a reference to the movie, of course, and on the surface it doesn’t seem to be much more than that. We’ve all seen the movie. A cynical weatherman played by Bill Murray lives the same day over again and again, until he finally gets it right and becomes a man who can love and play the piano.
I remember when Groundhog Day came out. It was a hit, though it barely beat forgettable fare like Dave and Cool Runnings at the box office. Critics thought it was enjoyable and clever, though they hardly thought it was earth-shattering. A better than average comedy – not much more. Over 15 years later, Groundhog Day has become not just a favorite of the revisionist cineast, but a genuine classic. The Writer’s Guild considers it the 27th greatest screenplay ever written. The New York Times even put it in a list of the Ten Best American Movies. Of the 1990s? No. Of all time! Say what you will about the existential implications of the film, about searching for meaning in our post-9/11 world. It makes for a good term paper, but I don’t think that’s the reason the film has gained such a following of late. The reason is TBS.
If you turned to the cable station TBS in the late 90′s and early 00′s, it’s likely you would have seen Groundhog Day on more than a few occasions. TBS syndicated it and played the grooves off the thing. Over time, the film worked its way into the DNA of many a channel surfer. The more familiar you became with it, the more you enjoyed it, because it was offering you the experience of its main character. You were living the film over again and again. You began to anticipate plot points (Ned Ryerson punch in 3, 2…), and the exact words and inflections of the dialogue (“Too early for flapjacks?” ”I’m a god. I’m not the God.” etc.). In other words, you learned to be one step ahead of it.
Repetition and familiarity have served Groundhog Day better than just about any film in history. It is its essence. Because of the internet and DVRs, people don’t channel surf anymore. So it’s unlikely that any other film will be able to take such a covert route to classic status. Word of mouth will create the cult followings, and blockbusters like Avatar and The Dark Knight will be anointed masterpieces as soon as the Thursday night sneak-preview receipts come in. Another Groundhog Day will probably be lost in the mix.
On the flip side, the legacy of television shows have benefited greatly from technology. With DVRs and Hulu and Netflix and so on, viewers can watch a television show at their leisure. Breaking Bad in a weekend? It’s doable (and recommended!). They can also study a television show in depth and in slow motion and in freeze-frame and every which way they want. No show has been studied more closely than Lost. Check the comment sections at Entertainment Weekly. Better yet, look at Lostpedia. The detail would make a Trekkie (sorry, a Trekker) faint. I’m a fan but holy smokes, guys! Turn off the TV and computer screens every once in a while. Shoot some hoops. Drink a beer. Dance with a girl.
The creators of Lost undoubtedly read these sites. They must if they want to keep one step ahead of their fans. And each week they see how certain ideas fly and if something’s not in the can, they rethink their plan. They adjust. They try again. People complain that they seem to be making it up as they go along, but how could they not? They can’t guarantee whether one actor will stick around for the entire run, or if a character will become a pariah on the level of Jar Jar Binks. For the last six seasons of Lost, the creators have rolled with the punches, and learned, and gone down different paths to get to the end. And now the end is finally here.
It reminds me of that last day in Groundhog Day. Bill Murray’s weatherman takes his well-earned wisdom and he puts it to the best possible use. He lives his life the way it should be lived – naturally, honestly. The Lost finale must do the same. Not everyone is going to love it, but if the creators want to escape from the perpetual “what if’s” that plague shows like Seinfeld and Battlestar Galactica, then they can’t go with gimmick or gotcha. It must be natural, honest and earned. The pressure is huge, but the payoff…well, let’s hope “it’s a doozy.”